In a documentary project somewhat akin to 28 Up, Bergman produced two films about his beloved island Farö, where he made his home and which served as the setting for such films as Persona, The Passion of Anna and Through a Glass Darkly. In 1969, troubled by the island's disappearing traditions and the exodus of its young people to the mainland, Bergman made a surprisingly direct and political document about Fårö's importance. Swedish critics hailed it as "one of his finest films." Ten years later, he decided to take a second look at situation, and made his second Fårö Document. (A third was planned for 1989, but was not made.) The update is surprisingly optimistic, with several remarkable "then and now" juxtapositions. The unhappy teenagers about to decamp for Stockholm in the first film turn out to have settled into the quiet, isolated Fårö life. Interweaving scenes of extraordinary beauty with interviews and rigorous sequences depicting everyday chores, customs and rituals on Fårö, Bergman develops a complex, understated and loving portrait of his tiny island.