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BIBI ANDERSSON


Following her theatre training which included study at the Royal Dramatic Theatre School from 1954-56, and a series of bit parts in films, Andersson made her first memorable screen appearance in a small role in Smiles of a Summer Night, thereby joining the wonderful company of actors who played in Bergman's films of the 1950s and 1960s. Following her role in The Seventh Seal, as the wife in the pair of fairground innocents who survive the destruction of the knight and his family after the apocalypse, she played the hitchhiker in Wild Strawberries, again projecting a youthful hopefulness and innocence. Her portrayal of the unmarried mother in Brink of Life revealed a broader range and won her an award at Cannes (along with Ingrid Thulin and Eva Dahlbeck for the same film).

With the exception of a role in All These Women, Andersson did not work with Bergman for six years. Their collaboration resumed with her most important film, Persona, in which she established herself as an actress of international stature. This masterpiece owes much to Andersson's brilliance and is evidence of her greater emotional experience than was apparent in her earlier work. The film required of Andersson an enormous extension of her talent; her submission to the film's somewhat cruel objectivity attested to Andersson's dedication—not only to the aims of Bergman's films but also to the demands made by a role of extraordinary emotional complexity. The characterization did much to erase the rather condescending view of her as a pleasant, lightweight actress, and elevated her to the first rank of Bergman's ensemble, along with Thulin and Ullmann.

Andersson then made a number of films with other Swedish directors, and worked again with Bergman in a supporting part in The Passion of Anna, in a central role opposite Elliott Gould in The Touch, and in a brief appearance in one episode of Scenes from a Marriage, which would be the last films they made together. Like Ullmann and Thulin she has also appeared in a number of international films, usually wasting her talent.

International Dictionary of Films and Filmmakers





FILMS WITH BERGMAN

Smiles of a Summer Night
The Seventh Seal
Wild Strawberries
Brink of Life
The Magician
The Devil's Eye
All These Women
Persona
The Passion of Anna
The Touch
Scenes from a Marriage


COMMENTARY

"Bibi Andersson is a close friend of mine—a lovely and extremely talented actress. She is totally oriented toward reality, always needing motives for what she does....An actress can do something unsuited to her and make it believable, but Bibi Andersson is so integrated a person that, for her, it is impossible to play something she doesn't believe in."

— Ingmar Bergman (1971)




Bibi Andersson
Commentary
Gallery
ANDERSSON FILE

Born:
Berit Elisabeth Andersson, 11 November 1935, in Stockholm, Sweden.

Educated:
Terserus Drama School; Royal Dramatic Theatre School, Stockholm, 1954-56; attended theatre school in Malmö.

Family:
Married Kjell Grede, 1960 (divorced 1972); daughter Jenny Mathilda.
Married Per Ahlmark, 1978 (divorced 1981).
Married Gabriel Mora Baeza, 2004.

Career:
1949: began working as an extra in films.
1951: appeared in a Bris soap commercial directed by Bergman.
1955: appeared in Smiles of a Summer Night, her first film with Bergman.
1973: American stage debut in Erich Maria Remarque's Full Circle.
1990: debut as stage director, Stockholm.